Thomas Tallis and Gregorio Allegri
1505-1585 1582-1652
Music of the Passion
For an Azerbaijanian translation, nicely developed by WriteMyEssay4Me.
For a Bulgarian translation, nicely developed by please go to JustDoMyHomework.com.
For a Catalan translation, wonderfully provided by Chema Bescos.
For a Czech translation, nicely developed by Oleksii Yovchenko of Domyessay.com.
For a Estonian translation, to the excellent page developed by StudyBounty.com.
For a Filipino translation, developed by Jessica Higgins and her team on their blog.
For a
Finnish translation, go to the excellent page developed
by Elsa Jansson
The French translation was made by WriteMyPaperHub.com.
For a German translation, please go to this blog developed by Maximilian Neumann.
For a Greek translation, completed by Jodi Williams, with Grab My Essay.
For a Kazakh translation, nicely done by Alana Kerimova on her WordPress site.
For an Italian translation, nicely done by Essay Services.
For a
Latvian translation, nicely developed
at ProThesisWriter For a Norwegian translation,
developed by Lars Olden on his blog.
For a Polish translation, nicely
provided by Lera Domartina. For a
Romanian translation, nicely developed by Pro-Academic-Writers.com. For a
Russian translation, go to the excellent page developed by professional essay writers at Study Crumb
For a Spanish translation, go to the excellent page developed
by Laura Mancini on her blog.
For a
Spanish translation, nicely provided by Esther Crowder at Wow Essays.
For a Turkish translation, please go to the great page developed by Zoltan Solak.
For a Ukrainian translation, nicely developed by
the "Science Team."
For a Ukrainian translation, nicely
developed by WriteMyPaperForMe.
For a Ukrainian translation, nicely developed by SkyClinic.
Thomas Tallis is was the most
influential English composer of his generation, as well as one of the most
popular Renaissance composers of today. Tallis served as an organist and in
other professional capacities for four English monarchs, including in the Royal
Chapel. Together with his most famous student, William Byrd, he obtained a
monopoly right from Queen Elizabeth I for the publication of vocal music. Tallis
presided over the most dynamic period in English musical history, during which
the continental style of structural imitation was largely adopted by English
composers in the wake of the Reformation and suppression of the monasteries. Though Tallis' music includes a
wide range of styles and objectives, the bulk of his output is choral music,
both in the older Latin motet style and the newer English anthem style. Lyrical
ideas usually dominate his musical impulses, and his polyphony is often
primarily chordal or homophonic. He was not especially interested in technical
counterpoint as such, and his settings have a consequent air of serenity about
them that arises from the straightforward musical means used to develop melodic
ideas. His sacred Latin choral music is his most highly regarded achievement;
this large output is mostly in the motet genre with a wide range of personally
selected texts, set syllabically in the style of the continental Renaissance
masters of Italy and the North. His English Anthems also played an important
role in the early development of this long-lived genre.
Today, Tallis' music continues to
be extremely popular. It has been used for motivation by such contemporary
composers as Ralph Vaughan Williams and Peter Maxwell Davies, as well as
providing much of the impetus for the early music movement in English choral
performance. Though Tallis' technical achievements pale by comparison with many
of his near contemporaries, his music has a superbly communicative element of
human expression which still speaks directly to audiences. ~ Todd McComb, All
Music Guide The Miserere is one of the most often-recorded examples of late
Renaissance music, although it was actually written during the
chronological confines of the Baroque era; in this regard it is
representative of the music of the Roman School of composers, who were
stylistically conservative. It was music that inspired such
composers as Mendelssohn, Liszt and Mozart. ~ Todd McComb, All
Music Guide Text of Miserere (English translation): Have mercy upon me, O God, according to thy loving
kindness: Sample of their music: Tallis: Salvator
mundi (Antiphon for Good Friday, commemorating the crucifixion
of Jesus at Calvery; written in Latin; 3:58) from the album Salve
Regina - 2001 Tallis: Credo
from Mass in Four Voices (7:09) from the album Benedictus -
Classical Music For Reflection And Meditation - 1999. Allegri: Miserere
(Psalm 51 - Ash Wednesday; 13:51) from the album A Beginners Guide To
Classical (complete) Allegri - 2007 Listen while viewing
the Sistine Chapel. Note: these
materials were authored by Todd McComb, from his
All Music Guide, and are presented here for use by my students, for
limited, non-profit,
educational purposes.
By far the most celebrated composition of Allegri is the Miserere
mei, Deus, a setting of Vulgate Psalm 51 (50). It is written for two
choirs, the one of five and the other of four voices, and has obtained
considerable celebrity. It was composed during the reign of Pope
Urban VIII, probably during the 1630s, for use in the Sistine Chapel
during matins on Wednesday and Friday of Holy Week.
According unto the multitude of thy tender mercies blot out my
transgressions.
Wash me throughly from mine iniquity, and cleanse me from my sin.
For I acknowledge my transgressions: and my sin is ever before me.
Against thee, thee only, have I sinned, and done this evil in thy sight:
that thou mightest be justified when thou speakest, and be clear when
thou judgest.
Behold, I was shapen in iniquity; and in sin did my mother conceive me.
Behold, thou desirest truth in the inward parts: and in the hidden part
thou shalt make me to know wisdom.
Purge me with hyssop, and I shall be clean: wash me, and I shall be
whiter than snow.
Make me to hear joy and gladness; that the bones which thou hast broken
may rejoice.
Hide thy face from my sins, and blot out all mine iniquities.
Create in me a clean heart, O God; and renew a right spirit within me.
Cast me not away from thy presence; and take not thy holy spirit from
me.
Restore unto me the joy of thy salvation; and uphold me with thy free
spirit.
Then will I teach transgressors thy ways; and sinners shall be converted
unto thee.
Deliver me from bloodguiltiness, O God, thou God of my salvation: and my
tongue shall sing aloud of thy righteousness.
O Lord, open thou my lips; and my mouth shall shew forth thy praise.
For thou desirest not sacrifice; else would I give it: thou delightest
not in burnt offering.
The sacrifices of God are a broken spirit: a broken and a contrite
heart, O God, thou wilt not despise.
Do good in thy good pleasure unto Zion: build thou the walls of
Jerusalem.
Then shalt thou be pleased with the sacrifices of righteousness, with
burnt offering and whole burnt offering: then shall they offer bullocks
upon thine altar.
Music
for Passiontide from Saint Paul Sunday (American
Public Media, broadcast 16 March 2008)