Cultural Themes and Epistemology:

Tribal-Traditional and Euro-American Cultures

The following materials are key presentation points developed by the instructor during class lectures. They are not a substitute for student participation in the class lectures, but a highlighting of the pertinent items considered.


Cultural Themes:  How have various peoples come to know and define their worlds?   Our focus here will be on issues of  epistemology, and two predominate cultural themes or orientations, that make of the human cultural stories.

For our purposes, in order to better appreciate some of these cultures, we will focus on epistemology and three basic types of knowing the world.  They are "literal," "metaphoric," and "anagogic."  Each is to be understood as complementary to and not exclusive of the others, i.e., each is a "legitimate" path to knowledge.  Each of us typically rely upon all three ways of knowing, though often emphasizing one mode over the others

How a people have come to know the world, in turn, influences a people view of that world, their ontology.  While some cultures see themselves as a part of the world around them, others view themselves as fundamentally separate from a world "out there."  In turn, knowledge may be either intuitively "received" from "agents" emanating in the world or empirically "discovered" thorough a rigorous application of human logic. As a result the significance and meaning of a "flower," a "rainbow" or for that matter, "reality" itself can differ radically and completely.

Because of its elemental importance, such epistemological differences will also resonate throughout and manifest themselves in each of the various topics considered during this course - origins (evolution and creation), aesthetics and religion, social organization (power and ethics), life-cycle, ecology and economics (gatherer and hunter, and domestication of plants/animals and farming), prejudice and war, and cultural and biological change.


Ways of Knowing:

Each way of knowing is understood as complementary to the others, and none are somehow "superior" or "true" compared to the others. No one criteria, in and of itself, is more appropriate or morally superior than another. Each category has validity, equally contributing to the human condition, although in differing ways. This is not a developmental sequence through which an individual progresses from one stage to the next.  All three ways of knowing are implicit in "Traditional" and "Euro-American" cultures, though each culture has its particular emphasis.

Let me offer two examples of literal-denotative statements that focus on "wilderness." "Wilderness is made up of a given number and type of trees, animals, plants, in a specified physical terrain." As referred to in the Old Testament, wilderness is a "desert" and "waste," a "cursed" land, full of "thorns and thistles." In both instances, the value statements are based on literal meanings, accessible through the senses. You can touch the trees and feel the thorns. The words descriptive of "wilderness" attempt to elicit precise, literal representations. The word "tree" has a more or less precise physical counterpart in the "wilderness." Empiricism and religious fundamentalism, for example, are associated with literal-denotative ways of knowing.

Let me illustrate this type of knowing with three different examples. "Wilderness is the antithesis of civilization." "Wilderness is a land of no use." "Wilderness is where the birds fly free and the beauty of the flowers glows with the colors of the rainbow." These particular wilderness value statements are deduced from and implicitly compared with other already held values, i.e., values of societal civilization, economic use and aesthetic beauty. They have little direct and no literal counterpart in an experiential "wilderness," but refer to images of abstract qualities. Rationalism, literary criticism and racial prejudice, for example, are all founded on metaphoric-connotative ways of knowing.

An example of an anagogic-implicative statement would be, "Wilderness is where God and all true wisdom are to be found." Another example would be, "The image in the stone is that of the seal, revealed through the stone by the seal to the stone carver as he sat in the great solitudes." Both statements offer figurative meanings, i.e., images of God and of a seal-spirit, and are derived from a mystical or intuitive ways of knowing. Anagogic-implicative ways of knowing are not dependent upon empirical or logical processes. Artistic and religious inspiration, for example, are associated with anagogic-implicative ways of knowing.


Tribal-Traditional Cultural Themes (an illustration of Looking Glass World View): - The examples of Inuit Sedna (spatial), Balinese Tika (temporal), Dogon "Seed" (spatial), and Mardu Manguny or Aranda Alcheringa (Dreamtime) (expressive of both spatial and temporal dimensions).  For an expanded discussion of these world view themes, see Looking Glass World View.


Euro-American Cultural Themes (an illustration of Glass Pane World View):  - The example of Pythagoras and his Theorem, and the Scientific Method.  For an expanded introduction to Euro-American world view themes, see Glass Pane World View and Emerging Euro- American Values.   Juxtaposing the Two Cultural Values and Worlds.


Language and Culture - Consider the relationship of how our languages are structured and how we view the world around us as developed in the "Sapir-Whorf Hypothesis" and as illustrated in the examples of English, Navajo, Hopi and Trobriand languages.  The theory holds that we act not so much on what we directly sense in nature but how we conceive of nature as mediated by our languages.  The theory holds two key doctrines:

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