CLASSICAL FREUDIANISM (liberal borrowings from Terry Eagletons account, as I dimly recall when writing these notes years ago!Stephan Flores)
"The motive of human society is in the last resort an economic one"
(Freud, Introductory Lectures on Psychoanalysis). According to Freud, our need
to labor (reality principle) compells us to repress our desires for gratification
(pleasure principle). We put up with repression hoping for a reward, but if
that is deferred too long we may become sick, neurotic. One way of coping with
our neuroses (anxieties,obsessions), our unfulfilled desires (esp. sexual),
is by sublimating them, directing them towards a more socially valued end. For
Freud, such sublimation creates civilization itself, especially its higher,
cultural elements such as art and literature.
We begin life highly dependent on our parents for the satisfaction of our biological
and instinctual needs, and babies, for example, seem to find such satisfaction
(e.g., suckling) pleasurable. This libidinal dimension of our experience, our
sexuality and its pleasures, are relatively autonomous from a purely biological
drive for self preservation. For Freud, children proceed through stages where
they wish to incorporate objects/others to themselves (oral stage), or master
their bodies and control the wishes of others (anal stage), and begin to recognize
sexual identities? (phallic stage). But the child still has no central, stable
identity: he or she is not a unified subject desiring a stable object because
the boundaries between self and others/world are blurred or indeterminate. At
this stage, a child takes auto-erotic delight in its own body without being
able to fully recognize its body or self as a complete object or subject (different
from narcissism). At this point, says Freud, the child is not a "citizen"
ready to do a hard day's work: it tends to be anarchic, aggressive, self-involved,
pleasure-seeking, even sadistic. It does not yet recognize gender differences.
But as the child emerges from the pre-Oedipal stage, the boy unconsciously desires
sexual union with the mother, and the girl turns towards the father--subsequently,
for the child, the parent of the same sex comes to figure as a rival in its
affections for the parent ofthe opposite sex.
The Father's symbolic threat of castration, however, persuades the boy to abandon
the desire for the mother. The boy perceives girls as castrated and fears a
similar punishment. The boy thus represses his incestuous desires, deferring
his pleasure by seeing himself eventually taking the symbolic place of the father
as patriarch and by identifying with the father and aligning himself with images
and practices defined as"masculine."
Freud's account of female sexuality is much more apparently biased. The girl
perceives she is inferior because castrated, turning in disillusionment from
her similarly castrated mother to the project of seducing the father, but since
this project is doomed, she must reluctantly turn back to identify with the
mother's gender roles, and unconsciously substitute for the penis she envies
but can never possess for a baby which she desires toreceive from the father.
[But if castration is what makes her incestuous desire possible, there seems
to be no obvious reason why she should abandon this desire and shift her desire
from the father to the mother since she would be immune from the threat of castration.]
Hence, the Oedipus complex or phase is central to Freud's understanding of how
men and women are constituted as subjects in a shift from pre-Oedipal Nature
or instincts to Culture and its identities and desires. The Oedipus complex
marks the beginning of morality, conscience, law, and other forms of social
and religious authority, because the father's real or imagined prohibition of
incest symbolizes all subsequent and higher authority. In making its own or
introjecting this patriarchal law, the child begins to form its superego, the
punitive/putative voice of conscience within it.
The child has now developed an ego or individual identitya particular
position within sexual, familial, and social networks--but it does so only by
splitting off its guilty desires, repressing them into the unconscious. As a
result, the human subject who emerges from the Oedipal process is a split subject,
torn between conscious and unconscious activity, and subject to the eruption
of the unconscious returning to plague its conscious wishes/meanings. For Freud,
unconscious activity is radically other, seemingly indifferent to reality, knowing
no logic or negation or causality or contradiction--given over wholly to the
instinctual play of the drives and the search for pleasure.
Dreams, however, allow us to glimpse the unconscious fulfilling its wishes in
symbolic forms (symbolically disguised in order to protect us from material
that might be too shocking or disturbing if perceived directly). The watchful
ego is still at work, censoring and scrambing dream images by condensing some
images into single statements and displacing other meanings onto objects somehow
associated with those meanings (metaphor and metonymy--see Lacan's notion that
the "unconscious is structured like a language). Parapraxes or slips of
the tongue are also forms of mis-speaking or misreadings that provide evidence
of unconscious desires at work, and Freud felt that jokes frequently turn upon
libidinal or aggressive anxieties. If unconscious desires are denied and cannot
find an adequate outlet, neurotic conflicts are produced that may lead to more
severe forms of psychosis where the links between the ego and the external world
are ruptured, producing an alternative, delusional reality for the subject.
The Freudian cure depends upon transference. The patient or analysand may begin
unconsciously to transfer onto the figure of the analyst the psychical conflicts
which he or she suffers. Such repetition and projection is one of the patient's
unconscious ways of avoiding having to come to terms with the conflict, and
yet it is also the only way the analyst may have access to the patient problems.
Analysts must also resist the process of counter-transference, of projecting
their own problems onto patients.