The History of Rock

 

Instrumental Classics

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In the late 1950's a number of white instrumental groups began to appear possibly as a response to the studio focus on promoting vocal groups and perhaps because there was a market for party music to suit people that just wanted to dance and didn't care so much for vocals. Initially, these groups relied on saxophones and keyboards but soon the guitar took over. Link Wray and Duane Eddy were among the first guitarists to create their own sounds. Link Wray's hit Rumble presaged the power chords of metal bands that would come a decade later. Duane Eddy's sound was more polished and came to be called "twangy guitar". The most successful instrumental group was the Ventures (listen to Diamond Head), out of the Seattle area. Their music was highly polished and sophisticated and they had numerous successful singles and albums.

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One of the most important sub-genres of instrumental music was surf music---a style that was born in Southern California in the late 1950's and reached its zenith in the early 60's. The king of the surf guitar was San Diego based Dick Dale, a virtuoso guitarist whose music was distinguished by the lightning fast double picking he used on hits such as Miserlou. Surf music is distinguished by a clean guitar sound reinforced with lots of reverb. Other surf groups included the Belairs, Chantays, Surfaris, Astronauts, and Pyramids. Surf music enjoyed something of a renaissance in the 90's through the music of bands such as the Aqua Velvets and the Exotics.

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Dick Dale, King of the Surf Guitar

Although the instrumental lost some of its luster when the girl groups began to ascend in the early 60's, there continued to be occasional hits from groups like Booker T and the MGs. Also, Guitarists like Steve Vai,  Joe Satriani, and Eddie Van Halen have also kept the genre alive in recent years.