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Walter Becker (left) and Donald Fagen.
Steely Dan is a band that has taken an unusual career trajectory. During much of its life, it has not even been a band in the usual sense of the word. Steely Dan is essentially Donald Fagen and Walter Becker; students who met at Bard College in New York during the late 1960s. After working as songwriters at the Brill Building and later for ABC/Dunhill Records in Los Angeles, the two formed a band and released their first album, Can't Buy A Thrill, in 1972. Although a couple of tracks from the album charted, the group was already on a non-commercial path that would take them in a different direction. After touring for a few years the original band broke apart and beginning with the album Pretzel Logic in 1974, Steely Dan became a studio group in which Fagen and Becker would surround themselves with top New York and LA jazz musicians to create complex, sophisticated songs that often had abstract, puzzling lyrics. A recurrent theme in their songs concerns people on the fringes of society; so-called losers, sometimes with self-destructive tendencies. This theme is evident in songs such as “Midnite Cruiser,” "Any Major Dude Will Tell You," “Any World,” “Barrytown,” “Deacon Blues,” Don’t Take Me Alive,” “What A Shame About Me,” and “Things I Miss the Most.” The song “Deacon Blues” from the album Aja, released in 1977, is a good example:
You call me a fool you say it’s a crazy scheme. This one’s for real I already bought the dream So useless to ask me why, throw a kiss and say goodbye. I’ll make it this time I’m ready to cross that fine line.
Learn to work the saxaphone I’ll play just what I feel. Drink Scotch whiskey all night long and die behind the wheel. They got a name for the winners in the world, I want a name when I lose. They call Alabama the crimson tide call me deacon blues.
Most of Steely Dan’s songs have a first person perspective but “Barrytown,” from Pretzel Logic has a third person viewpoint:
I'm not one to look behind I know that times must
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