History

Intro

History

Vernacular Architecture

High-Style Architecture

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Koryo

The Koryo period (935 to 1392) began as the Korean peninsula became unified once again, this time under Wang Yon.  This time period yielded many of the stone pagodas that decorate the exterior of Buddhist temples. 

Although the size of the pagoda reduced slightly at the beginning of the Koryo period, the overall size began to increase as the Dynasty aged due to the addition of multiple levels. However, the size of the base was decreased in proportion to the upper stories, giving the Koryo pagodas a very different massing than their forebears.  Octagonal and hexagonal pagodas began to show up during this time, possibly due to influences from Manchurian pagodas.
  1.  Pagoda from Wongak-sa
 
Now in Pagoda Park in Seoul
  14' tall, 13 sides 

2.  Pagoda at Woljong-sa
48' tall, 9-stories, Octagonal
The Koryo dynasty represents a very important period in the development of the wooden architecture in Korea:  during this time, both the major forms of high-style wooden architecture were developed.  Korean high-style architecture employs moderately to highly decorative brackets.  These developed as a structural alternative to the truss: through these methods, buildings could be built on a monumental scale without the columns bowing outwards.  The column is the basic structural unit below the roof, with the loads distributed downwards through beams that meet at increasingly smaller spans.  This explains the curved roofs, as well: straight rafters were unnecessary for engineering purposes.  
Also, because the walls served no load-bearing purpose, they could be treated less as solid walls, and more as opaque screens.  The columns then transferred their load onto heavy stone posts.  In the earlier buildings there was also a subbasement which helped distribute the loads to the ground, but this eventually developed into a pedestal for the building.

The first style of wooden architecture in Korea was Chusimp'o.  This style descended from the Song Dynasty in southern China.  The brackets in Chusimp'o are clustered exclusively around the column's head, with curved arms bringing the forces onto the beams and columns. On the interior, the entirety of the gabled roof structure is exposed, including the straight rafters and multiple curved brackets.  The columns also express entasis.  Because the columns needed to hold up the large brackets could be placed fairly far apart, the overall effect made the wall seem slightly unnecessary.

After the mid-Koryo period, the Tap'o style emerged as a very influential style of architecture.  In this case, the brackets were not just placed on the column-head, but also along the horizontal beams between the columns.  The multiplication of brackets gives  Tap'o architecture a much heavier appearance.  From the interior, the brackets and columns are exposed, but the roof structure itself is covered with coffers.  The best, and largest, examples of the Tap'o buildings are the palaces in Seoul that were reconstructed in the late-Yi Period.


Interior of Mur-yang-su Jeon in  Pu-sok-sa Temple
Chusimp'o features:  curved bracket arms clustered at the column head, columns with entasis, beams that span progressively smaller distances

 Interior of In-jŏng Chŏn, Throne Hall of Ch’ang-dŏk Kung (Yi Period)
Tap'o features:  the ceiling coffers and heavily bracketed roofline